Technology
Tencent Music Entertainment Group Announces Fourth Quarter and Full-Year 2024 Unaudited Financial Results
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SHENZHEN, China, March 18, 2025 /PRNewswire/ –Tencent Music Entertainment Group (“TME,” or the “Company”) (NYSE: TME and HKEX: 1698), the leading online music and audio entertainment platform in China, today announced its unaudited financial results for the fourth quarter and full year ended December 31, 2024.
Fourth Quarter 2024 Financial Highlights
Total revenues were RMB7.46 billion (US$1.02 billion), representing an 8.2% year-over-year increase, primarily due to strong year-over-year growth in revenues from online music services, and partially offset by a decline in revenues from social entertainment services and others.Revenues from music subscriptions were RMB4.03 billion (US$552 million), representing 18.0% year-over-year growth. The number of paying users increased by 13.4% year-over-year to 121.0 million, up by 2.0 million from the third quarter of 2024. ARPPU grew to RMB11.1 from RMB10.7 in the same period of 2023.Net profit was RMB2.08 billion (US$284 million), representing 47.3% year-over-year growth. Net profit attributable to equity holders of the Company was RMB1.96 billion (US$268 million), representing 49.8% year-over-year growth. Non-IFRS net profit[1] was RMB2.40 billion (US$329 million), representing 43.0% year-over-year growth. Non-IFRS net profit attributable to equity holders of the Company[1] was RMB2.28 billion (US$312 million), representing 44.8% year-over-year growth.Diluted earnings per ADS was RMB1.26 (US$0.17), up from RMB0.83 in the same period of 2023.Total cash, cash equivalents, term deposits and short-term investments as of December 31, 2024 were RMB37.58 billion (US$5.15 billion).
Full Year 2024 Financial Highlights
Total revenues were RMB28.40 billion (US$3.89 billion), representing a 2.3% year-over-year increase.Revenues from music subscriptions were RMB15.23 billion (US$2.09 billion), representing 25.9% year-over-year growth. The strong growth was driven by continuous expansion in both paying users and ARPPU.Net profit was RMB7.11 billion (US$974 million), representing 36.2% year-over-year growth. Net profit attributable to equity holders of the Company was RMB6.64 billion (US$910 million), representing 35.0% year-over-year growth. Non-IFRS net profit[1] was RMB8.14 billion (US$1.12 billion), representing 30.7% year-over-year growth. Non-IFRS net profit attributable to equity holders of the Company[1] was RMB7.67 billion (US$1.05 billion), representing 29.5% year-over-year growth.The Company’s board of directors approved an annual cash dividend of approximately US$273 million for the year ended December 31, 2024, and authorized a new Share Repurchase Program up to US$1 billion during a 24-month period commencing from March 2025.
Mr. Cussion Pang, Executive Chairman of TME, commented, “2024 was a year of solid progress for TME, marked by strong performance in our online music business driving overall revenue growth and expanding profit margins. Our pioneering initiatives across the music value chain have reshaped the industry landscape and enriched our ecosystem, boosting subscriber penetration rate and lifetime value. We closed fourth quarter with advancements across key areas of online music business, laying a stronger foundation for future growth and innovation. With confidence into 2025, we are pleased to announce an annual dividend of approximately US$273 million and an expanded share repurchase program of up to US$1 billion. We are committed to delivering shareholder value while strategically positioning the company for long-term success.”
Mr. Ross Liang, CEO of TME, continued, “Our unwavering focus on user experience and effective operations have been crucial for stellar performance in 2024 and will continue to underpin future development. Enriching content ecosystem, fueled by technology integration, empowered us to further innovate and lead the way of music content consumption. Our SVIP initiative also recorded solid performance during the fourth quarter, resulting in user engagement improvement and ARPPU expansion. Looking ahead to 2025, we aim to harness the power of AI to personalize our services and bring more new experiences to users.”
Fourth Quarter 2024 Operational Highlights
Key Operating Metrics
4Q24
4Q23
YoY %
MAUs – online music (million)
556
576
(3.5 %)
Mobile MAUs – social entertainment (million)
82
104
(21.2 %)
Paying users – online music (million)
121.0
106.7
13.4 %
Paying users – social entertainment (million)
7.7
8.0
(3.8 %)
Monthly ARPPU – online music (RMB)
11.1
10.7
3.7 %
Monthly ARPPU – social entertainment (RMB)
70.4
78.0
(9.7 %)
Broadening content and expansive ecosystem offer users a wider range of music services with enhanced benefits.
Diversified content offerings with over 260 million licensed and co-created music and audio tracks.1) Renewed contracts with SM Entertainment and Kakao Entertainment, expanding partnerships to include premium sound effects, artist performances and merchandise. 2) Partnered with renowned artists such as Dao Lang and Tayu Lo[2] to offer timeless classics and privileged head-start benefits. 3) Collaborated with Angela Zhang to produce, release, and promote her album Conflicted, helping her reach a greater audience base and receive widespread acclaim. 4) Produced theme songs and original soundtracks for Tencent Video blockbusters including Blossom and Guardians of the Dafeng, and theatrical releases A Tapestry of a Legendary Land and TIGER WOLF RABBIT, quickly garnering praise from music lovers and movie viewers alike.Solid progress made in artist merchandise and live performances. For example, 1) Produced physical albums for Xiao Zhan and Lay Zhang, and provided options to purchase Esther Yu’s merchandise along with her digital albums, significantly boosting album sales, 2) Partnered with Mayday to host an online New Year’s Eve concert and promoted the event across multiple short video platforms and social media channels.
Reinforced core value proposition further drove subscriber and ARPPU growth, SVIP gathered more traction.
Enhancements to algorithms and user interface drove personal music asset accumulation, measured by a 10% year-over-year increase in users’ song collections. The improvements also boosted recommendation-driven streams.We saw traction in our in-car music consumption driven by 1) expanded partnerships with mapping services including Amap and Baidu Maps, as well as deeper collaborations with electric vehicle manufacturers like BYD and XPENG, 2) optimized user experience through improved audio quality and karaoke features.SVIP recorded strong sequential growth in memberships, along with improved ARPPU and engagement. These results benefited from: 1) elevated audio quality and effects, such as our highly acclaimed AI-powered audio effect and voice extraction, 2) expanded digital album library, and 3) introduction of diverse privileges for online concerts, such as high-definition modes for selective shows.
Committed to innovation, we launched new features to bring novel experience to users.
Integrated DeepSeek LLM into song creation, which invigorated passion for music creation among our users. It also garnered an increasingly personalized music experience through its integration with AI assistants, comment sections, and recommendation pages.Launched innovative virtual fan-artist communities, boosting user engagement and ecosystem vibrancy. Notable examples included the virtual communities of JC-T and Teens in Times.Fostering stronger connections between brands and users, we designed and advertised interactive incentivized tasks, which became highly popular among our users. This led to robust year-over-year growth in advertising revenue.
Fourth Quarter 2024 Financial Review
Total revenues increased by RMB565 million, or 8.2%, to RMB7.46 billion (US$1.02 billion) from RMB6.89 billion in the same period of 2023.
Revenues from online music services delivered a strong year-over-year increase of 16.1% to RMB5.83 billion (US$799 million) from RMB5.02 billion in the same period of 2023. The increase was driven by solid growth in music subscription revenues, supplemented by growth in revenues from advertising services. Revenues from music subscriptions were RMB4.03 billion (US$552 million), representing 18.0% year-over-year growth, compared with RMB3.42 billion in the same period of 2023. This rapid growth was driven by continuous expansion in the online music paying user base and improved ARPPU. The number of online music paying users increased by 13.4% year-over-year to 121.0 million. This growth was primarily due to high quality contents, attractive membership privileges, and optimized user operations. Monthly ARPPU increased to RMB11.1 in the fourth quarter of 2024 from RMB10.7 in the same period of 2023, which was driven by effective promotions and the expansion of SVIP membership program. The year-over-year increase in revenues from advertising was primarily due to our more diversified product portfolio and innovative ad formats, such as ad-supported mode.Revenues from social entertainment services and others decreased by 13.0% to RMB1.63 billion (US$223 million) from RMB1.87 billion in the same period of 2023. The decrease was mainly the result of adjustments to certain live-streaming interactive functions and more stringent compliance procedures implemented. Meanwhile, we continue to focus on the healthy growth in advertising and VIP memberships within social entertainment.
Cost of revenues decreased by 1.1% year-over-year to RMB4.21 billion (US$576 million), mainly due to decreased revenues from social entertainment services that led to less revenue sharing fees. Meanwhile, advertising agency fees, costs related to offline performances and payment channel fees increased year-over-year.
Gross margin increased to 43.6% from 38.3% in the same period of 2023, primarily due to strong growth in revenues from music subscriptions, including subscriptions to SVIP membership, and in revenues from advertising services, and the ramp-up of our own content.
Total operating expenses decreased by 7.3% year-over-year to RMB1.17 billion (US$161 million). Operating expenses as a percentage of total revenues decreased to 15.7% from 18.4% in the same period of 2023.
Selling and marketing expenses were RMB248 million (US$34 million), representing a 2.7% year-over-year decrease.General and administrative expenses were RMB926 million (US$127 million), representing an 8.4% year-over-year decrease. This decrease was primarily due to lower employee-related expenses.
Total operating profit was RMB2.41 billion (US$330 million) in the fourth quarter of 2024, representing a 40.5% year-over-year increase.
The finance cost for the fourth quarter of 2024 mainly reflected an unrealized foreign exchange gain, arising from treasury management activities, which was largely affected by the fluctuation of exchange rate between RMB and USD as of September 30 and December 31, 2024.
The effective tax rate for the fourth quarter of 2024 was 16.9%, compared with 17.3% in the same period of 2023. We accrued withholding income tax of RMB110 million (US$15 million) in the fourth quarter of 2024.
For the fourth quarter of 2024, net profit was RMB2.08 billion (US$284 million) and net profit attributable to equity holders of the Company was RMB1.96 billion (US$268 million). Non-IFRS net profit was RMB2.40 billion (US$329 million) and non-IFRS net profit attributable to equity holders of the Company was RMB2.28 billion (US$312 million). Please refer to the section in this press release titled “Non-IFRS Financial Measure” for details.
Basic and diluted earnings per American Depositary Shares (“ADS”) for the fourth quarter of 2024 were RMB1.27 (US$0.17) and RMB1.26 (US$0.17), respectively; non-IFRS basic and diluted earnings per ADS were RMB1.48 (US$0.20) and RMB1.47 (US$0.20), respectively. For the fourth quarter of 2024, the Company had weighted averages of 1.54 billion basic and 1.56 billion diluted ADSs outstanding, respectively. Each ADS represents two of the Company’s Class A ordinary shares.
As of December 31, 2024, the combined balance of the Company’s cash, cash equivalents, term deposits and short-term investments amounted to RMB37.58 billion (US$5.15 billion), compared with RMB36.04 billion as of September 30, 2024.
Full Year 2024 Financial Review
Total revenues increased by RMB649 million, or 2.3%, to RMB28.40 billion (US$3.89 billion) from RMB27.75 billion in 2023.
Revenues from online music services delivered a strong year-over-year increase of 25.5% to RMB21.74 billion (US$2.98 billion) from RMB17.33 billion in 2023. The increase was driven by strong growth in music subscription revenues, supplemented by growth in revenues from advertising services. Revenues from music subscriptions were RMB15.23 billion (US$2.09 billion), representing 25.9% year-over-year growth, compared with RMB12.10 billion in 2023. This rapid growth was driven by continuous expansion in the online music paying user base and improved ARPPU. Additionally, increased revenues from offline performances also contributed to the growth in revenues from online music services.Revenues from social entertainment services and others decreased by 36.1% to RMB6.66 billion (US$912 million) from RMB10.43 billion in 2023. The decrease was mainly the result of adjustments to certain live-streaming interactive functions and more stringent compliance procedures implemented. Meanwhile, we continue to focus on the healthy growth in advertising and VIP memberships within social entertainment.
Cost of revenues decreased by 8.8% year-over-year to RMB16.38 billion (US$2.24 billion), mainly due to decreased revenues from social entertainment services that led to less revenue sharing fees. Meanwhile, content costs of royalties, costs related to offline performances, advertising agency fees and payment channel fees increased year-over-year.
Gross margin increased to 42.3% from 35.3% in 2023, primarily due to strong growth in revenues from music subscriptions, including subscriptions to SVIP membership, and in revenues from advertising services, and the ramp-up of our own content.
Total operating expenses decreased by 6.8% year-over-year to RMB4.68 billion (US$641 million). Operating expenses as a percentage of total revenues decreased to 16.5% from 18.1% in 2023.
Selling and marketing expenses were RMB865 million (US$119 million), representing a 3.6% year-over-year decrease. General and administrative expenses were RMB3.81 billion (US$522 million), representing a 7.5% year-over-year decrease. This decrease was primarily due to lower employee-related expenses.
Total operating profit was RMB8.71 billion (US$1.19 billion) for the full year of 2024, representing an increase of 43.8% year-over-year.
For the full year of 2024, net profit was RMB7.11 billion (US$974 million) and net profit attributable to equity holders of the Company was RMB6.64 billion (US$910 million). Non-IFRS net profit was RMB8.14 billion (US$1.12 billion) and non-IFRS net profit attributable to equity holders of the Company was RMB7.67 billion (US$1.05 billion). Please refer to the section in this press release titled “Non-IFRS Financial Measure” for details.
Basic and diluted earnings per ADS for the full year of 2024 were RMB4.31 (US$0.59) and RMB4.24 (US$0.58), respectively; non-IFRS basic and diluted earnings per ADS were RMB4.97 (US$0.68) and RMB4.90 (US$0.67), respectively. For the full year of 2024, the Company had weighted averages of 1.54 billion basic and 1.57 billion diluted ADSs outstanding, respectively.
Share Repurchase Program
With confidence in TME’s growth prospects, our board of directors has recently authorized a new Share Repurchase Program under which the Company may repurchase up to US$1 billion of its Class A ordinary shares during a 24-month period commencing from March 2025. This program follows the completion of the US$500 million share repurchase program previously announced in March 2023.
Declaration of 2024 Dividend
For the fiscal year of 2024, the Company’s board of directors declared a cash dividend of US$0.09 per ordinary share, or US$0.18 per ADS, to holders of record of ordinary shares and ADSs as of the close of business on April 3, 2025. The aggregate amount of cash dividends to be paid will be approximately US$273 million and is expected to be paid on or around April 17, 2025 and on or around April 24, 2025 for holders of ordinary shares and holders of ADSs, respectively. Holders of the Company’s ADSs will receive the cash dividends through the depositary, The Bank of New York Mellon, subject to the terms of the deposit agreement.
Environmental, Social, and Governance (“ESG”)
We made significant strides to empower female musicians’ development, fostering a more diverse and inclusive music community, with the number of female artists supported reaching 192,000. We will continue our commitment to ESG excellence and provide these artists with more opportunities for creative expression and performance. In the fourth quarter, we also partnered with the Ministry of Education and multiple NGOs to launch the “Writing Songs for Pandas” initiative, designed to enhance public awareness of biodiversity through the influence of music.
Exchange Rate
This announcement contains translations of certain RMB amounts into U.S. dollars (“USD”) at specified rates solely for the convenience of the reader. Unless otherwise stated, all translations from RMB to USD were made at the rate of RMB7.2993 to US$1.00, the noon buying rate in effect on December 31, 2024, in the H.10 statistical release of the Federal Reserve Board. The Company makes no representation that the RMB or USD amounts referred could be converted into USD or RMB, as the case may be, at any particular rate or at all. For analytical presentation, all percentages are calculated using the numbers presented in the financial statements contained in this earnings release.
Non-IFRS Financial Measure
The Company uses non-IFRS net profit for the period, which is a non-IFRS financial measure, in evaluating its operating results and for financial and operational decision-making purposes. TME believes that non-IFRS net profit helps identify underlying trends in the Company’s business that could otherwise be distorted by the effect of certain expenses that the Company includes in its profit for the period. TME believes that non-IFRS net profit for the period provides useful information about its results of operations, enhances the overall understanding of its past performance and future prospects and allows for greater visibility with respect to key metrics used by its management in its financial and operational decision-making.
Non-IFRS net profit for the period should not be considered in isolation or construed as an alternative to operating profit, net profit for the period or any other measure of performance or as an indicator of its operating performance. Investors are encouraged to review non-IFRS net profit for the period and the reconciliation to its most directly comparable IFRS measure. Non-IFRS net profit for the period presented here may not be comparable to similarly titled measures presented by other companies. Other companies may calculate similarly titled measures differently, limiting their usefulness as comparative measures to the Company’s data. TME encourages investors and others to review its financial information in its entirety and not rely on a single financial measure.
Non-IFRS net profit for the period represents profit for the period excluding amortization of intangible and other assets arising from business acquisitions or combinations, share-based compensation expenses, net losses/gains from investments and related income tax effects.
Please see the “Unaudited Non-IFRS Financial Measure” included in this press release for a full reconciliation of non-IFRS net profit for the period to its net profit for the period.
[1] Non-IFRS net profit and non-IFRS net profit attributable to equity holders of the Company were arrived at after excluding the combined effect of amortization of intangible assets and other assets arising from business acquisitions or combinations, share-based compensation expenses, net losses/gains from investments, and related income tax effects.
[2] Names of artists and bands contained in this press release are sorted according to the following rules: (i) grouped by artists and bands: and (ii)in alphabetical order by family names.
About Tencent Music Entertainment
Tencent Music Entertainment Group (NYSE: TME and HKEX: 1698) is the leading online music and audio entertainment platform in China, operating the country’s highly popular and innovative music apps: QQ Music, Kugou Music, Kuwo Music and WeSing. TME’s mission is to create endless possibilities with music and technology. TME’s platform comprises online music, online audio, online karaoke, music-centric live streaming and online concert services, enabling music fans to discover, listen, sing, watch, perform and socialize around music. For more information, please visit ir.tencentmusic.com.
Safe Harbor Statement
This press release contains forward-looking statements. These statements are made under the “safe harbor” provisions of the U.S. Private Securities Litigation Reform Act of 1995. Statements that are not historical facts, including statements about the Company’s beliefs and expectations, are forward-looking statements. Forward-looking statements involve inherent risks and uncertainties, and a number of factors could cause actual results to differ materially from those contained in any forward-looking statement. In some cases, forward-looking statements can be identified by words or phrases such as “may,” “will,” “expect,” “anticipate,” “target,” “aim,” “estimate,” “intend,” “plan,” “believe,” “potential,” “continue,” “is/are likely to” or other similar expressions. Further information regarding these and other risks, uncertainties or factors is included in the Company’s filings with the SEC and the HKEX. All information provided in this press release is as of the date of this press release, and the Company does not undertake any duty to update such information, except as required under applicable law.
Investor Relations Contact
Tencent Music Entertainment Group
ir@tencentmusic.com
+86 (755) 8601-3388 ext. 818415
TENCENT MUSIC ENTERTAINMENT GROUP
CONSOLIDATED INCOME STATEMENTS
Three Months Ended December 31
Year Ended December 31
2023
2024
2023
2024
RMB
RMB
US$
RMB
RMB
US$
Unaudited
Unaudited
Unaudited
Unaudited
Unaudited
Unaudited
(in millions, except per share data)
(in millions, except per share data)
Revenues
Online music services
5,022
5,831
799
17,325
21,742
2,979
Social entertainment services and others
1,871
1,627
223
10,427
6,659
912
6,893
7,458
1,022
27,752
28,401
3,891
Cost of revenues
(4,252)
(4,205)
(576)
(17,957)
(16,376)
(2,244)
Gross profit
2,641
3,253
446
9,795
12,025
1,647
Selling and marketing expenses
(255)
(248)
(34)
(897)
(865)
(119)
General and administrative expenses
(1,011)
(926)
(127)
(4,121)
(3,811)
(522)
Total operating expenses
(1,266)
(1,174)
(161)
(5,018)
(4,676)
(641)
Interest income
277
315
43
1,052
1,196
164
Other gains, net
62
15
2
230
165
23
Operating profit
1,714
2,409
330
6,059
8,710
1,193
Share of net profit of investments accounted
for using equity method
20
31
4
127
96
13
Finance cost
(30)
59
8
(141)
(94)
(13)
Profit before income tax
1,704
2,499
342
6,045
8,712
1,194
Income tax expense
(295)
(423)
(58)
(825)
(1,603)
(220)
Profit for the period/year
1,409
2,076
284
5,220
7,109
974
Attributable to:
Equity holders of the Company
1,306
1,957
268
4,920
6,644
910
Non-controlling interests
103
119
16
300
465
64
Earnings per share for Class A and Class B
ordinary shares
Basic
0.42
0.64
0.09
1.58
2.15
0.30
Diluted
0.42
0.63
0.09
1.55
2.12
0.29
Earnings per ADS (2 Class A shares equal to 1 ADS)
Basic
0.84
1.27
0.17
3.15
4.31
0.59
Diluted
0.83
1.26
0.17
3.11
4.24
0.58
Shares used in earnings per Class A and Class B
ordinary share computation:
Basic
3,103,386,279
3,075,189,032
3,075,189,032
3,121,653,686
3,084,230,029
3,084,230,029
Diluted
3,145,485,054
3,112,342,854
3,112,342,854
3,168,386,031
3,130,861,720
3,130,861,720
ADS used in earnings per ADS computation
Basic
1,551,693,140
1,537,594,516
1,537,594,516
1,560,826,843
1,542,115,015
1,542,115,015
Diluted
1,572,742,527
1,556,171,427
1,556,171,427
1,584,193,016
1,565,430,860
1,565,430,860
TENCENT MUSIC ENTERTAINMENT GROUP
UNAUDITED NON-IFRS FINANCIAL MEASURE
Three Months Ended December 31
Year Ended December 31
2023
2024
2023
2024
RMB
RMB
US$
RMB
RMB
US$
Unaudited
Unaudited
Unaudited
Unaudited
Unaudited
Unaudited
(in millions, except per share data)
(in millions, except per share data)
Profit for the period/year
1,409
2,076
284
5,220
7,109
974
Adjustments:
Amortization of intangible and other assets arising from
business acquisitions or combinations*
111
110
15
445
440
60
Share-based compensation
183
156
21
736
681
93
Losses/(Gains) from investments**
23
94
13
(7)
110
15
Income tax effects***
(48)
(37)
(5)
(171)
(204)
(28)
Non-IFRS Net Profit
1,678
2,399
329
6,223
8,136
1,115
Attributable to:
Equity holders of the Company
1,575
2,280
312
5,923
7,671
1,051
Non-controlling interests
103
119
16
300
465
64
Earnings per share for Class A and Class B
ordinary shares
Basic
0.51
0.74
0.10
1.90
2.49
0.34
Diluted
0.50
0.73
0.10
1.87
2.45
0.34
Earnings per ADS (2 Class A shares equal to 1 ADS)
Basic
1.02
1.48
0.20
3.79
4.97
0.68
Diluted
1.00
1.47
0.20
3.74
4.90
0.67
Shares used in earnings per Class A and Class B
ordinary share computation:
Basic
3,103,386,279
3,075,189,032
3,075,189,032
3,121,653,686
3,084,230,029
3,084,230,029
Diluted
3,145,485,054
3,112,342,854
3,112,342,854
3,168,386,031
3,130,861,720
3,130,861,720
ADS used in earnings per ADS computation
Basic
1,551,693,140
1,537,594,516
1,537,594,516
1,560,826,843
1,542,115,015
1,542,115,015
Diluted
1,572,742,527
1,556,171,427
1,556,171,427
1,584,193,016
1,565,430,860
1,565,430,860
* Represents the amortization of identifiable assets, including intangible assets such as domain name, trademark, copyrights, supplier resources, corporate customer relationships and non-compete
agreement etc., and fair value adjustment on music content (i.e., signed contracts obtained for the rights to access to the music contents for which the amount was amortized over the contract
period), resulting from business acquisitions or combination.
** Including the net gains/losses on deemed disposals/disposals of investments, fair value changes arising from investments, impairment provision of investments and other expenses in relation to
equity transactions of investments.
*** Represents the income tax effects of Non-IFRS adjustments.
TENCENT MUSIC ENTERTAINMENT GROUP
CONSOLIDATED BALANCE SHEETS
As at December 31, 2023
As at December 31, 2024
RMB
RMB
US$
Audited
Unaudited
Unaudited
(in millions)
ASSETS
Non-current assets
Property, plant and equipment
490
803
110
Land use rights
2,437
2,364
324
Right-of-use assets
367
295
40
Intangible assets
2,032
2,049
281
Goodwill
19,542
19,647
2,692
Investments accounted for using equity method
4,274
4,669
640
Financial assets at fair value through other comprehensive income
6,540
14,498
1,986
Other investments
307
309
42
Prepayments, deposits and other assets
540
425
58
Deferred tax assets
352
422
58
Term deposits
8,719
10,419
1,427
45,600
55,900
7,658
Current assets
Inventories
8
23
3
Accounts receivable
2,918
3,508
481
Prepayments, deposits and other assets
3,438
3,793
520
Other investments
37
46
6
Term deposits
9,937
13,999
1,918
Restricted Cash
31
11
2
Cash and cash equivalents
13,567
13,164
1,803
29,936
34,544
4,733
Total assets
75,536
90,444
12,391
EQUITY
Equity attributable to equity holders of the Company
Share capital
2
2
0
Additional paid-in capital
36,576
29,035
3,978
Shares held for share award schemes
(302)
(520)
(71)
Treasury shares
(6,996)
(550)
(75)
Other reserves
9,658
19,845
2,719
Retained earnings
16,969
20,051
2,747
55,907
67,863
9,297
Non-controlling interests
1,295
1,863
255
Total equity
57,202
69,726
9,552
LIABILITIES
Non-current liabilities
Notes payables
5,636
3,572
489
Deferred tax liabilities
239
198
27
Lease liabilities
297
219
30
Deferred revenue
148
179
25
6,320
4,168
571
Current liabilities
Accounts payable
5,006
6,879
942
Other payables and other liabilities
3,472
3,381
463
Notes payables
–
2,154
295
Current tax liabilities
567
934
128
Lease liabilities
115
106
15
Deferred revenue
2,854
3,096
424
12,014
16,550
2,267
Total liabilities
18,334
20,718
2,838
Total equity and liabilities
75,536
90,444
12,391
TENCENT MUSIC ENTERTAINMENT GROUP
CONDENSED CONSOLIDATED STATEMENTS OF CASH FLOWS
Three Months Ended December 31
Year Ended December 31
2023
2024
2023
2024
RMB
RMB
US$
RMB
RMB
US$
Unaudited
Unaudited
Unaudited
Unaudited
Unaudited
Unaudited
(in millions)
(in millions)
Net cash provided by operating activities
1,977
2,480
340
7,337
10,275
1,408
Net cash (used in)/provided by investing activities
(193)
1,324
181
(1,863)
(6,818)
(934)
Net cash used in financing activities
(576)
(815)
(112)
(1,538)
(3,830)
(525)
Net increase/(decrease) in cash and cash equivalents
1,208
2,989
409
3,936
(373)
(51)
Cash and cash equivalents at beginning of the period/year
12,381
10,209
1,399
9,555
13,567
1,859
Exchange differences on cash and cash equivalents
(22)
(34)
(5)
76
(30)
(4)
Cash and cash equivalents at end of the period/year
13,567
13,164
1,803
13,567
13,164
1,803
View original content:https://www.prnewswire.com/news-releases/tencent-music-entertainment-group-announces-fourth-quarter-and-full-year-2024-unaudited-financial-results-302404220.html
SOURCE Tencent Music Entertainment Group
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Technology
Three Luxe Beach Houses in Florida’s “30A” Region to Sell at Luxury Auction® in April
Published
4 minutes agoon
March 28, 2025By

SANTA ROSA BEACH, Fla., March 28, 2025 /PRNewswire/ — On April 10, 2025, three new oceanside homes will be offered for sale at luxury auction, reports Platinum Luxury Auctions, the Miami-based auction house specializing in the auction sale of multimillion-dollar residential properties. Platinum is offering the properties in partnership with listing brokerage Christie’s International Real Estate Emerald Coast (formerly Engel & Völkers 30A Beaches). Beau Blankenship, a top-producing luxury sales agent in the area, is the listing agent of record for the three properties.
Previously, each property was asking $6 million or more, but now at least one of the three homes will now be sold to the highest auction bidder without reserve. Following the sale of the first property, the seller has the option to also sell the second and/or third property without reserve. According to Platinum, the seller will make that decision on auction day, based upon the property preferences cited by the bidders as part of their registration for the sales. Those bidder preferences will also determine which property will be sold first, and without reserve. Any properties that are not sold without reserve will be offered subject to the seller’s confirmation, meaning the seller can immediately negotiate the highest bid in real-time with the given bidder(s).
The three-property offering marks Platinum’s return to the 30A market following a successful luxury auction sale in Santa Rosa Beach in June of 2024. That $4.2 million sale was completed on behalf of the same developer who owns the three properties headed for the auction block in April. “The seller is an active developer specializing in luxury homes throughout the 30A region,” according to Platinum’s founder and president, Trayor Lesnock. “While much of his inventory has sold traditionally, he has enough experience and market savvy to understand the value of the expeditious, non-contingent sales provided by the luxury auction process, which serve to optimize the transfer of his remaining properties as the market begins to naturally recalibrate.”
Each of the three beach homes was completed in 2024. One is located in Inlet Beach and two are located side-by-side in nearby Santa Rosa Beach. The homes were built to serve as private residences or for use as high-end rental properties, given the area’s well-established demand for vacation rentals. The Inlet Beach home can sleep up to 24 guests, while each of the Santa Rosa homes sleeps up to 16 guests.
All homes are designed in an elegant yet relaxed “beach chic” style, with clean, spacious interiors filled with natural light. The two Santa Rosa Beach homes were designed by award-winning architect Christopher Reebals, a 20-year veteran in residential and commercial design. The three homes each offer three living levels, with the Inlet Beach home also featuring a rooftop deck with 360-degree views, in addition to private and deeded beach access, a valuable commodity in the 30A market.
Basic details of the three properties are as follows… Each property is sited on a manicured parcel slightly larger than 0.30 acres. The larger Inlet Beach home, located at 100 Brenda Lane, has 5,743 sf of living area, with 7 bedrooms, 7 full and one-half bath. The two Santa Rosa Beach homes, at 58 Woodward Drive and 62 Woodward Drive, offer frontage on a small lake. At 58 Woodward, interiors span 5,502 sf, with 5 bedrooms and 7 full bathrooms. Next door at 62 Woodward, living areas also occupy 5,502 sf, with 5 bedrooms, 7 full and one-half baths. All homes have private pools surrounded by paved, outdoor living areas.
The coastal area known as “30A” consists of the beachfront and oceanside lands located south of County Road 30A, which stretches 24 miles between Destin and Panama City, along the coastline of Florida’s panhandle. It’s home to some of Florida’s most charming seaside towns, with their pristine beaches and clear ocean waters. It was the 30A town of Seaside which served as the idyllic, fictional hometown of Seahaven Island in actor Jim Carey’s hit film The Truman Show.
Property tours are available by daily appointment until April 9, and must be scheduled through Platinum’s project manager, Renee Alossi, by calling 800.674.2997. Additional details, photos, video and due diligence documents are also available online at 30ALuxuryAuction.com.
About Platinum Luxury Auctions: Platinum Luxury Auctions created the luxury auction® model for multimillion-dollar real estate auctions and owns the federal trademark for the term “luxury auction(s).” The Miami-based auction house specializes in the non-distressed sale of luxury properties in the U.S. and select international markets, and has offered properties in 33 states and 15 countries to date. Platinum’s team has closed more than $1.7 billion in luxury auction sales, and has consulted or advised HNW and UHNW individuals on more than $4.5 billion in luxury property assets. PlatinumLuxuryAuctions.com.
View original content to download multimedia:https://www.prnewswire.com/news-releases/three-luxe-beach-houses-in-floridas-30a-region-to-sell-at-luxury-auction-in-april-302414532.html
SOURCE Platinum Luxury Auctions LLC
Technology
Miami’s Ultra Music Festival That Attracts Tens-of-Thousands of People Will Once Again Use SaferWatch Technology & Mobile App to Keep Public Safe
Published
4 minutes agoon
March 28, 2025By

As Events Across Nation Face New Kinds of Threats, Miami & Ultra Music Festival Has Adapted & the Public is Safer
MIAMI, March 28, 2025 /PRNewswire/ — Ultra Music Festival 2025, taking place March 28–30 at Bayfront Park in downtown Miami, has once again selected SaferWatch as its safety reporting tool for the fifth consecutive year. This ongoing partnership is part of Ultra’s commitment to keep its high-energy celebration safe for all attendees. Festival-goers will have multiple, convenient channels to promptly report any safety concerns or incidents in real-time, helping law enforcement and fire rescue and event security respond swiftly without dampening the festival’s electric atmosphere.
Attendees are encouraged to “See Something, Send Something” by reporting issues through any of the following methods:
Call: 305-800-8477
Text: 305-800-8477
SaferWatch App: Submit photos and videos via the SaferWatch mobile app (Accessible on smartphones via the Apple App Store and Google Play.)
All reports can be made anonymously, ensuring that anyone can alert authorities to suspicious activity or emergencies without hesitation. Once a report is submitted, the SaferWatch app immediately notifies on-site security and law enforcement of the user’s location and details of the incident. The platform also supports two-way communication, so officials can provide instructions or ask follow-up questions as needed. By empowering attendees to share tips, including photos or videos directly from their phones, Ultra and SaferWatch aim to address potential issues proactively – often before they escalate.
This year marks five years of collaboration between Ultra and SaferWatch. The results of this sustained effort speak for themselves: Ultra’s 2022 festival saw a record low number of security incidents after new measures like the SaferWatch system were implemented. With over 170,000 people attending Ultra 2022 and similarly large crowds expected in 2025, the continued use of SaferWatch underscores Ultra’s dedication to attendee safety at large-scale events. Organizers have continually expanded safety initiatives—from increased on-site police and security presence to technology partnerships like SaferWatch—to create a secure environment where fans can focus on enjoying the music.
“Ultra Music Festival is an incredible event that brings together hundreds of thousands of fans. Ultra is committed to keeping their attendees safe and we are proud to play a role in the proactive and real-time safety measures for a large event like this,” said Geno Roefaro, CEO of SaferWatch. “By giving every attendee an easy, anonymous way to alert law enforcement and fire rescue to any concern, SaferWatch empowers festival-goers to play an active role in keeping the festival as safe as possible. We are proud to continue our partners in hip with Ultra for the fifth year running, helping to ensure everyone can enjoy the music while knowing that safety is a top priority.”
About SaferWatch
SaferWatch is a leading mobile security platform that enables the public to report suspicious activity, threats, or emergencies in real-time directly to law enforcement and security agencies. The SaferWatch app provides users with a simple and anonymous way to “See Something, Send Something,” fostering proactive safety at the touch of a button. The platform supports text, photo, and video submissions and offers two-way communication so authorities can swiftly gather information and send guidance. SaferWatch has a proven track record at major public gatherings – it has been deployed at music festivals, sporting events, and public venues worldwide, including previous Ultra Music Festivals, professional sporting events, and even the Miami Super Bowl LIV. By empowering communities and event attendees to easily report concerns, SaferWatch helps prevent incidents and provides peace of mind in any crowd.
To learn more about SaferWatch, visit SaferWatchApp.com.
View original content to download multimedia:https://www.prnewswire.com/news-releases/miamis-ultra-music-festival-that-attracts-tens-of-thousands-of-people-will-once-again-use-saferwatch-technology–mobile-app-to-keep-public-safe-302414544.html
SOURCE SaferWatch
Technology
IT’S BOBA TIME DROPS EXCLUSIVE PUBG MOBILE DRINKS AND FREE LOOT THIS APRIL!
Published
4 minutes agoon
March 28, 2025By

LOS ANGELES, March 28, 2025 /PRNewswire/ — Ready to sip your way to victory? This April, It’s Boba Time and PUBG MOBILE are joining forces to bring gamers and boba lovers an exclusive loot-filled experience! From April 1st to April 30th, fuel up with two game-changing, PUBG MOBILE inspired drinks and unlock free in-game rewards—but only while supplies last.
Drink Specials:
Battleground Bliss Milk Tea – A powerhouse blend of matcha, oat milk, and butterfly pea tea, finished with a creamy milk foam top. Bold, smooth, and ready to refresh you for your next match!
Sweet Victory Smoothie – A rich and creamy egg pudding smoothie with a drizzle of honey for the perfect sweet finish—because every win should taste this good!
Plus, every order scores you a FREE PUBG MOBILE sticker sheet + an exclusive in-game rewards code. But move fast—only 50 loot drops per store daily, one in-game code per account.
Drop in, grab your gear, and claim your victory before the event ends! Visit any It’s Boba Time location and sip and loot, while supplies last.
For more information about this promotion, please visit the Instagram page @itsbobatime.
About It’s Boba Time
Founded in 2003 with a passion for blending the best of American flavors with the rich tradition of Asian milk tea. From smoothies and slushes to milk teas and açaí bowls, every drink is made-to-order using only the freshest ingredients and endless customization options while offering free tapioca boba pearls in each drink. It’s Boba Time has become a go-to destination for both boba lovers and those looking for bold, creative flavor combinations. With a commitment to quality, innovation, and a welcoming atmosphere, It’s Boba Time continues to redefine the beverage experience across Los Angeles, Orange County, and beyond. Discover more at itsbobatime.com or follow us on Instagram @itsbobatime.
About PUBG MOBILE
PUBG MOBILE is based on PUBG: BATTLEGROUNDS, the phenomenon that took the world of interactive entertainment by storm in 2017. Up to 100 players parachute onto a remote island to battle in a winner-takes-all showdown. Players must locate and scavenge their own weapons, vehicles, and supplies, and defeat every player in a visually and tactically rich battleground that forces players into a shrinking play zone. PUBG MOBILE is co-developed by LIGHTSPEED STUDIOS of Tencent Games and KRAFTON, Inc.
For more information, please visit the official PUBG MOBILE social channels on Facebook, Instagram, X and YouTube.
View original content to download multimedia:https://www.prnewswire.com/news-releases/its-boba-time-drops-exclusive-pubg-mobile-drinks-and-free-loot-this-april-302414548.html
SOURCE It’s Boba Time


Three Luxe Beach Houses in Florida’s “30A” Region to Sell at Luxury Auction® in April

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IT’S BOBA TIME DROPS EXCLUSIVE PUBG MOBILE DRINKS AND FREE LOOT THIS APRIL!

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