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Global Consumer Media Spend Grew 4.5% to $2.27T in 2023, Second Straight Year of Slower Growth, Stunted By Rising Inflation & Cuts In Discretionary Spend

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Global consumer spending on overall media content and technology grew at a 4.5% rate in 2023 to $2.272 trillion, the second consecutive year of decelerating growth after a 6.1% increase in 2022, which followed the strongest growth in consumer media spending in a decade in 2021 at 6.7%, according to new research by PQ Media, the leading provider of media econometrics.

STAMFORD, Conn., June 4, 2024 /PRNewswire-PRWeb/ — Global consumer spending on overall media content and technology grew at a 4.5% rate in 2023 to $2.272 trillion, the second consecutive year of decelerating growth after a 6.1% increase in 2022, which followed the strongest growth in consumer media spending in a decade in 2021 at 6.7%, according to new research by PQ Media, the leading provider of media econometrics.

While the pandemic briefly interrupted key secular trends in 2020-2021, this was a near-term disruption of long-term trends that resumed in 2022 and will continue during the 2024-2028 period, such as decelerated growth or outright declines in various digital and traditional media categories.

Growth slowed even more than expected in 2023 as inflation rates soared to the highest levels in nearly 15 years. Growth might have decelerated further if not for select media platforms continuing solid upticks, including streaming audio subscriptions; filmed entertainment via streaming video and in-theater releases, as the movie industry continued to rebound from the pandemic crash; and console and digital videogames, according to the Global Consumer Spending on Media Forecast 2024-2028.

Consumer expenditures on media content grew 8.2% in 2023 to $934.13 billion worldwide, while total media-related technology spending increased only 1.8% to $1.278 trillion. End-user spending on digital media content and tech rose 6.1% to $1.687 trillion last year, while consumer outlays for traditional media content and tech were flat at $585.17 billion.

The United States remained the largest consumer media and tech market with total spending of $527.21 billion in 2023, while South Africa was the fastest growing of the top 20 global markets, rising 7.7%. The average consumer spent an average of $386.64 on all media content and tech, a 3.8% gain over 2022, of which $287.06 was spent on digital media and $99.58 on traditional media, according to the Global Consumer Spending on Media Forecast 2024-2028.

PQ Media expects the 2024-2028 period to be fairly robust, fueled by international sporting events that will drive up spending on television, including new TV sales, streaming video subscriptions and VOD fees for popular sports in various nations, such as cycling in the Netherlands, beach volleyball in Brazil, and the Paris Summer Olympics, which will fuel consumer demand in Western Europe, where other major sporting events, like basketball and soccer, will also be telecast in prime time.

The same phenomenon will propel the North and South American markets, when the US, Canada and Mexico tri-host the FIFA World Cup in 2026 and the US hosts the Summer Olympics in 2028. Meanwhile, other media like radio, newspapers and magazines will also exhibit higher end-user spend during even years when more political elections will be held, including campaigns in 15 of the top 20 global markets in 2024.

“However, while the pandemic briefly interrupted key secular trends in 2020-2021, this was a near-term disruption of long-term trends that resumed in 2022 and will continue during the 2024-2028 period, such as decelerated growth or outright declines in various digital and traditional media and tech categories, like dial-up internet; music CDs and CD players; and video DVDs and DVD players,” said PQ Media CEO Patrick Quinn. “In addition to even- and odd-year growth disparities, macroeconomic headwinds, like high inflation and interest rates, and increased geopolitical tensions in the Middle East, have led some consumers to trim discretionary spending, as evidenced by flat consumer book sales after double-digit growth at the pandemic’s peak. Additionally, the videogame sector is exhibiting its lowest growth rates ever, following pandemic-fueled upswings that were further fueled by the launch of new PlayStation, Xbox and Nintendo consoles.”

Meanwhile, traditional media expenditures will be essentially flat during the 2024-2028 period, with spending declines in odd years. Most traditional media channels have begun to post annual declines, not just in odd years, as only two categories have continued to post growth in the post-pandemic era – filmed entertainment and recorded music.

Going forward, PQ Media expects digital media growth to also decelerate as secular trends have re-emerged post-pandemic, with slowing consumer media usage impacting consumer media spending, as many large global markets reaching penetration saturation.

Other highlights from the new Global Consumer Spending on Media Forecast 2024-2028 include:

Pure-play mobile media was the largest of the 10 hybrid-media silo spending categories in 2023 at $544.48 billion, while recorded music was the fastest growing, rising 13.4%;Wireless data subscriptions was the largest of the 28 digital media categories in 2023 at $283.75 billion, while digital audio streaming and satellite radio posted the fastest growth, up 20.2%;Basic and premium TV subscriptions was the largest of the 14 traditional media categories in 2023 at $228.97 billion, while filmed entertainment via theater admissions and streaming video subscriptions had the strongest growth, up 10.2%;Russia ranked first among the top global markets in digital media’s share of the country’s overall media content and tech spend in 2023 at 84.5%, as Japan ranked first in average consumer expenditures on all media at $1,735.38;Global consumer spending on total media content and tech is forecast to rise 5.7% in 2024, while the US market is projected to post a 4.4% gain.

About the Report:

PQ Media’s 11th annual Global Consumer Spending on Media Forecast 2024-2028 delivers the most comprehensive and actionable strategic intelligence on consumer spending on digital and traditional media content and technology, including econometric data and analysis of 2 overall spending sectors (media content and technology); 5 total spending segments (unit purchases, content subscriptions, access, devices, and software); and 28 digital and 14 traditional media content and technology categories. Click the report links above to DOWNLOAD FREE REPORT SAMPLES.

About PQ Media:

PQ Media delivers intelligent data and analysis to the world’s leading media and technology organizations via syndicated market intelligence reports and custom drill-down research. We publish the annual Global Media Forecast Series 2024, a three-report series in which each report focuses on one of the industry’s three KPIs to provide the only holistic view of the global media economy, including the new 2024 editions of the Global Consumer Spending on Media Forecast; the Global Advertising & Marketing Spending Forecast; and the Global Consumer Media Usage Forecast.

Click the links above to access a FREE combined GMF Series 2024 executive summary, sample datasets, and more information about our Specially Priced Three-Report Bundle License, as well as links to each report’s dedicated landing page.

Media Contact

Patrick Quinn, PQ Media, 1 2039215249, pquinn@pqmedia.com , https://www.pqmedia.com 

Leo Kivijarv, PQ Media, 1 2039215249, lkivijarv@pqmedia.com , https://www.pqmedia.com 

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SOURCE PQ Media

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COMPUTEX 2025: MiTAC Powers Sustainable AI Data Centers with New Server & Cooling Tech

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TAIPEI, May 24, 2025 /PRNewswire/ — At COMPUTEX 2025, MiTAC Computing Technology Corp., a subsidiary of MiTAC Holdings Corp. (TWSE: 3706), unveiled its bold new vision: from hardware provider to full-solution AI and data center innovator. With future-ready solutions covering AI training and inference, high-performance computing (HPC), rack-level liquid cooling, GPU resource management, and real-time data mobility, MiTAC delivers an integrated platform for next-generation data centers.

Rick Hwang, President of MiTAC Computing, emphasized the company’s commitment to open innovation. By aligning with global tech partners and Open Compute Project (OCP) standards, MiTAC now delivers full-spectrum solutions—from server to rack—featuring advanced liquid cooling technology. This simplifies data center operations and improves computing performance and energy efficiency—all driving the vision of smarter, high-performance, and sustainable infrastructure.

“This marks our first appearance at COMPUTEX since the MiTAC brand integration,” Hwang noted. “We’re excited to bring customers a more open, flexible, and deeply integrated portfolio of solutions—reinforcing our role as a trusted partner for AI and data center innovation worldwide.”

Empowering AI with Sustainability and Real-World Solutions

MiTAC Computing is embracing the future of AI with the theme “Empowering Unlimited Possibilities: AI x Sustainability, spotlighting real-world application and introducing a suite of new solutions designed to enable smarter, greener, and more scalable AI ecosystems.

At COMPUTEX, MiTAC Computing displayed an impressive range of cutting-edge AI inference servers. The spotlight is on the MiTAC G4527G6 (MGX™ 4U), featuring eight latest-generation NVIDIA RTX PRO™ 6000 Blackwell server GPUs, the first-ever debut of the NVIDIA MGX™ PCIe Switch board with ConnectX®-8 SuperNIC, and dual Intel® Xeon® 6767P processors. Additionally, the MiTAC G8825Z5 (8U) is equipped with two AMD EPYC™ 9005 series processors and eight newly revealed AMD Instinct™ 350 series GPUs, designed specifically for generative AI, inference workloads, and large language model processing.

Introducing Full-Rack Liquid Cooling Solutions

MiTAC Computing also introduced its full-rack liquid cooling systems, featuring both Liquid-to-Air and Liquid-to-Liquid cooling options. Showcasing the latest in-row Coolant Distribution Units (CDUs) from top-tier global partners, these systems deliver over 2000 kW of cooling power—engineered for intense thermal demands of AI and HPC workloads. Designed for easy integration and customization, these systems include MiTAC’s own monitoring software for optimized management.

Additionally, MiTAC also debuted its Direct Liquid Cooling (DLC) multi-node HPC server, the MiTAC C2820Z5. Built for extreme high-performance computing, this server’s DLC system efficiently cools high-power CPUs and fits within ORv3 standard racks powered by 48VDC – delivering significant energy savings vs. traditional air-cooling technology.

Partnering with AMD for Next-Gen Performance

On May 21st, MiTAC Computing welcomed long-term partner Ted Marena, AMD GPU Market Development Director, who shared the latest trends in AI GPU development and product offerings between MiTAC and AMD. Ken Lin, Senior Vice President of Commercial Business at AMD Taiwan, remarked, “MiTAC and AMD have continuously launched high-performance server platforms integrating AMD EPYC™ processors with AMD Instinct™ GPUs. We are also actively developing the MI350 GPU series with liquid cooling systems to support even more demanding AI cluster workloads, fully addressing the modern data center’s need for both AI computing power and energy efficiency.”

Rick Hwang added that AI technology is rapidly accelerating. MiTAC is committed to enabling future AI applications with solutions that combine high performance, low power consumption, and intelligent management. By optimizing data center infrastructure, MiTAC aims to assist global customers in advancing efficient and sustainable development in key sectors such as AI, HPC, and cloud computing, promoting the widespread adoption of next-generation AI technologies.

Learn more: https://www.mitaccomputing.com/en/campaign/computex2025

About MiTAC Computing Technology Corp.

MiTAC Computing Technology Corp., a subsidiary of MiTAC Holdings, delivers comprehensive, energy-efficient server solutions backed by industry expertise dating back to the 1990s. Specializing in AI, HPC, cloud, and edge computing, MiTAC Computing employs rigorous methods to ensure uncompromising quality not just at the barebone level but, more importantly, at the system and rack levels—where true performance and integration matter most. This commitment to quality at every level sets MiTAC Computing apart from others in the industry. The company provides tailored platforms for hyperscale data centers, HPC, and AI applications, guaranteeing optimal performance and scalability.

With a global presence and end-to-end capabilities—from R&D and manufacturing to global support—MiTAC Computing offers flexible, high-quality solutions designed to meet unique business needs. Leveraging the latest advancements in AI and liquid cooling, along with the recent integration of Intel DSG and TYAN server products, MiTAC Computing stands out for its innovation, efficiency, and reliability, empowering businesses to tackle future challenges.

Website: https://www.mitaccomputing.com/

 

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SOURCE MiTAC Computing Technology Corp.

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“Made-in-Shanghai” Blossoms in Umeda, Celebrating Creativity & Innovation

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OSAKA, Japan, May 24, 2025 /PRNewswire/ — As the Chinese solar term “Grain Buds” kicked in, a fashion summer breeze carried “Made-in-Shanghai“, an official five-day multi-format event, exhibition and forum series created by Shanghai, to Grand Green Osaka of Umeda, north of JR Osaka Station, the largest transportation hub and a super popular commercial destination in Japan.

This is not just a showcase of Shanghai’s fashion superpower, but an intimate encounter of Shanghai’s fashion ecosystem with local visitors. As FANG Wei, China’s Vice Consul General in Osaka remarked at the event’s grand opening on May 21st, “Made-in-Shanghai” took the ShanghaiOsaka ties to a new level through showcasing tech-savvy and Shanghai-style fashion, beauty and creative products to local and international visitors, while fostering business cooperation amidst the shift from “Made-in-China” to “Created-in-China“.

This overseas debut of Shanghai’s fashion and beauty parks and communities appeals greatly to Osaka’s business community. CREATER, a Shanghai-based property operator shared the experience of transforming the historic Yuyuan Road into a fashion and creative hub, featuring worldwide launches of products and a shining cluster of creative companies. Likewise, Fengxian District’s Oriental Beauty Valley, hailed as China’s beauty and cosmetic industry capital, stunned discerning Japanese consumers with leading Chinese beauty brands and innovation.

As an intimate encounter with Shanghai lifestyle, the Public Open Days attracted KOLs and Japanese consumers to a China market with fashion, home furnishings, beauty products, and even a tea-sake oriental tea house. Shanghai Chicmax exhibited its new products and introduced its Japanese R&D center and factory. Shanghai brand “nice rice” offered to consumers simple-lifestyle apparels. Hankyu Department Store opened “WINDow of EAST” pop-up stores with works from six Chinese young designers, curated by Shanghai Fashion Designers’ Association.

The event went deeper to a “Shanghai-Osaka Forum”, featuring a panel on “Evolution of Consumer Culture”, consisting of WWD China chief content officer, founders of Herbeast and RichandRare Jewellery, Confis’ senior partner and a journalist from WWD Japan. Another forum delved deep into sustainable urban renewal and green design, a common challenge for Shanghai and Osaka, featuring Dezeen’s China editor, famous Japanese architects, Aedas’s global design principal and UNS’s director.

The event is guided by China’s Ministry of Industry and Information Technology, hosted by Shanghai Commissions of Economy & Informatization and Commerce, and Administration for Market Regulation, and executed by Commission of Commerce in Changning District, Shanghai Design Week, Shanghai Fashion Designers’ Association and the Paper.

View original content to download multimedia:https://www.prnewswire.com/apac/news-releases/made-in-shanghai-blossoms-in-umeda-celebrating-creativity–innovation-302464723.html

SOURCE the Paper

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The Great Reset, the First Photorealistic AI Film Makes History at the Cannes Film Festival

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The film produced entirely with artificial intelligence positions Spanish filmmaker Daniel H. Torrado as a pioneer in a new era of cinema.

CANNES, France, May 23, 2025 /PRNewswire/ — Following its screening at the European Film Market of the Berlin International Film Festival (Berlinale) last February, the apocalyptic sci-fi thriller ‘The Great Reset’ has been presented at the Cannes Film Festival’s Marché du Film. It is the first time that a feature film created with artificial intelligence (AI) has been presented at the world’s leading professional film market, where it has aroused significant interest among distributors and specialised media.

The work, written and directed by award-winning filmmaker Daniel H. Torrado, is both a narrative and technological milestone and positions the Spanish filmmaker as a pioneer in a new era of cinema.

The innovative impact of ‘The Great Reset’ has been recognised by the prestigious specialist magazine The Hollywood Reporter, which dedicated in its special edition on the Cannes Film Festival an article entitled ‘Spain tests the waters of artificial intelligence’. The article highlights the pioneering role of the film and especially Torrado’s participation in the advances of artificial intelligence in the audiovisual field.

It is a production of the companies Virtual World Pictures and Canary Film Factory.

The project began in 2023 with the writing of the script. Over the last year, the AI workflow has been designed and optimised, including fine-tuning of the models, to ensure full control over the creativity of the material generated. Although the entire film was computer generated, and all sets and characters were created digitally, some scenes used actors as reference for acting and dubbing.

AI was involved in all stages of production and post-production, from image and animation generation to sound design, but always with human supervision.

“We are very proud to present The Great Reset at the Cannes Film Festival’s Marché du Film, a space where the most innovative ideas in contemporary cinema converge. It will undoubtedly be a key impulse to introduce the world to this story that explores not only the narrative potential of AI, but also its ability to transform the film industry,” said Torrado.

In the film, an artificial intelligence, created from the mind of an unscrupulous hacker, sets in motion an apocalyptic plan to destroy the world in order to save the only person he has ever loved: his daughter. Faced with the collapse of humanity and the echoes of a broken past, Emma embarks on a desperate race to save the world.

Trailer: https://vimeo.com/1082697453/30033a63b9

Media Contact:
Jose Hernandez, Virtual World Pictures
***@virtualworldpictures.com
+34 604 96 44 72

Photos:
https://www.prlog.org/13076582

Press release distributed by PRLog

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SOURCE Virtual World Pictures

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